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	<title>Roberto Leofrigio: articoli e recensioni | Mediatime Network</title>
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	<link>https://mediatime.net/author/roberto-leofrigio/</link>
	<description>Magazine di Spettacolo, Tech e Motori</description>
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		<title>Perché in Italia Star Trek arrivò con 13 anni di ritardo, e non fu la Rai a trasmetterlo</title>
		<link>https://mediatime.net/star-trek-60-anni-italia/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 14:17:41 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[anni settanta]]></category>
		<category><![CDATA[fantascienza]]></category>
		<category><![CDATA[paramount+]]></category>
		<category><![CDATA[star trek]]></category>
		<category><![CDATA[telemontecarlo]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=47107</guid>

					<description><![CDATA[<img width="640" height="402" src="https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-1024x643.jpg" class="attachment-large size-large wp-post-image" alt="Anson Mount nei panni del Capitano Pike in Star Trek: Strange New Worlds 4" decoding="async" srcset="https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-1024x643.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-300x188.jpg 300w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-768x482.jpg 768w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-669x420.jpg 669w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-640x402.jpg 640w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-681x428.jpg 681w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4.jpg 1500w" sizes="(max-width: 640px) 100vw, 640px" /><div><img width="1500" height="942" src="https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4.jpg" class="attachment-full size-full wp-post-image" alt="Anson Mount nei panni del Capitano Pike in Star Trek: Strange New Worlds 4" style="margin-bottom: 15px;" decoding="async" fetchpriority="high" srcset="https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4.jpg 1500w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-300x188.jpg 300w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-1024x643.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-768x482.jpg 768w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-669x420.jpg 669w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-640x402.jpg 640w, https://mediatime.net/wp-content/uploads/2026/07/anson-mount-pike-star-trek-strange-new-worlds-4-681x428.jpg 681w" sizes="(max-width: 1500px) 100vw, 1500px" /></div>
<p>Quell&#8217;uomo sulla plancia dell&#8217;Enterprise, nel 2026, viene accolto in prima serata su Paramount+ da milioni di italiani con un tap sullo smartphone. Sessant&#8217;anni fa, la stessa astronave in Italia non l&#8217;aveva vista quasi nessuno &#8211; e chi ce l&#8217;aveva fatta, l&#8217;aveva vista per sbaglio, su un canale che non doveva nemmeno arrivare fin qui. Un&#8217;estate [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/star-trek-60-anni-italia/">Perché in Italia Star Trek arrivò con 13 anni di ritardo, e non fu la Rai a trasmetterlo</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<title>Supergirl: perché Gunn ha scelto un&#8217;antieroina senza origin story per il DCU</title>
		<link>https://mediatime.net/recensione-film-supergirl-2026/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Fri, 26 Jun 2026 05:00:02 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[cinecomic]]></category>
		<category><![CDATA[dc universe]]></category>
		<category><![CDATA[james gunn]]></category>
		<category><![CDATA[milly alcock]]></category>
		<category><![CDATA[supergirl]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=47005</guid>

					<description><![CDATA[<img width="640" height="334" src="https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-1024x534.jpg" class="attachment-large size-large wp-post-image" alt="Milly Alcock nei panni di Kara Zor-El con occhiali da sole e cuffie a bordo della navicella nel film Supergirl (2026)" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-1024x534.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-300x157.jpg 300w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-768x401.jpg 768w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-1536x802.jpg 1536w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-805x420.jpg 805w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-640x334.jpg 640w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-681x355.jpg 681w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella.jpg 1600w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1600" height="835" src="https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella.jpg" class="attachment-full size-full wp-post-image" alt="Milly Alcock nei panni di Kara Zor-El con occhiali da sole e cuffie a bordo della navicella nel film Supergirl (2026)" style="margin-bottom: 15px;" decoding="async" srcset="https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella.jpg 1600w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-300x157.jpg 300w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-1024x534.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-768x401.jpg 768w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-1536x802.jpg 1536w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-805x420.jpg 805w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-640x334.jpg 640w, https://mediatime.net/wp-content/uploads/2026/06/supergirl-2026-milly-alcock-kara-zor-el-navicella-681x355.jpg 681w" sizes="(max-width: 1600px) 100vw, 1600px" /></div>
<p>Il franchise system hollywoodiano ha abituato il pubblico a regole d&#8217;ingaggio apparentemente immutabili: decenni di lente genesi, didascalici percorsi di formazione e traumatiche scoperte dei poteri prima di poter vedere l&#8217;eroe in azione. Eppure, James Gunn e Peter Safran hanno deciso di smantellare questa rassicurante architettura narrativa senza alcun preavviso. Supergirl, la pellicola diretta da [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/recensione-film-supergirl-2026/">Supergirl: perché Gunn ha scelto un&#8217;antieroina senza origin story per il DCU</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<item>
		<title>I primi premi speciali dei Nastri d&#8217;Argento 2026: l&#8217;invisibilità di Giancarlo Giannini e la decostruzione di Barbara Bouchet</title>
		<link>https://mediatime.net/premi-speciali-nastri-argento-2026/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Sun, 21 Jun 2026 09:21:51 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[barbara bouchet]]></category>
		<category><![CDATA[cinema italiano]]></category>
		<category><![CDATA[giancarlo giannini]]></category>
		<category><![CDATA[nastri d'argento]]></category>
		<category><![CDATA[recensioni film]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46979</guid>

					<description><![CDATA[<img width="640" height="360" src="https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-1024x576.jpg" class="attachment-large size-large wp-post-image" alt="Logo ufficiale dell&#039;ottantesima edizione dei Nastri d&#039;Argento 2026 con nastro stilizzato blu su fondo bianco." decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-1024x576.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-300x169.jpg 300w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-768x432.jpg 768w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-1536x864.jpg 1536w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-747x420.jpg 747w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-640x360.jpg 640w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-681x383.jpg 681w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento.jpg 1920w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1920" height="1080" src="https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento.jpg" class="attachment-full size-full wp-post-image" alt="Logo ufficiale dell&#039;ottantesima edizione dei Nastri d&#039;Argento 2026 con nastro stilizzato blu su fondo bianco." style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento.jpg 1920w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-300x169.jpg 300w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-1024x576.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-768x432.jpg 768w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-1536x864.jpg 1536w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-747x420.jpg 747w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-640x360.jpg 640w, https://mediatime.net/wp-content/uploads/2026/06/80-nastri-dargento-681x383.jpg 681w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></div>
<p>Il panorama audiovisivo nazionale si prepara a celebrare un traguardo storico mercoledì 24 giugno 2026, quando i Nastri d&#8217;Argento festeggeranno i loro 80 anni di vita. Nati nel 1946, in perfetta sincronia con la fondazione della Repubblica Italiana, i premi assegnati dai Giornalisti Cinematografici inaugurano questa edizione svelando i primi riconoscimenti speciali. Le scelte di [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/premi-speciali-nastri-argento-2026/">I primi premi speciali dei Nastri d&#8217;Argento 2026: l&#8217;invisibilità di Giancarlo Giannini e la decostruzione di Barbara Bouchet</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
]]></description>
		
		
		
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		<title>Disclosure Day: il dettaglio sul treno che Spielberg aspettava di girare dal 1971</title>
		<link>https://mediatime.net/disclosure-day-recensione-spielberg/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Wed, 10 Jun 2026 05:50:39 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[disclosure day]]></category>
		<category><![CDATA[emily blunt]]></category>
		<category><![CDATA[fantascienza]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[steven spielberg]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46913</guid>

					<description><![CDATA[<img width="640" height="375" src="https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-1024x600.jpg" class="attachment-large size-large wp-post-image" alt="Emily Blunt nei panni di Margaret Fairchild e Wyatt Russell nei panni di Jackson in una scena domestica di Disclosure Day, il film di Steven Spielberg del 2026" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-1024x600.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-300x176.jpg 300w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-768x450.jpg 768w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-717x420.jpg 717w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-640x375.jpg 640w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-681x400.jpg 681w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film.jpg 1240w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1240" height="726" src="https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film.jpg" class="attachment-full size-full wp-post-image" alt="Emily Blunt nei panni di Margaret Fairchild e Wyatt Russell nei panni di Jackson in una scena domestica di Disclosure Day, il film di Steven Spielberg del 2026" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film.jpg 1240w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-300x176.jpg 300w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-1024x600.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-768x450.jpg 768w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-717x420.jpg 717w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-640x375.jpg 640w, https://mediatime.net/wp-content/uploads/2026/06/disclosure-day-emily-blunt-wyatt-russell-scena-film-681x400.jpg 681w" sizes="auto, (max-width: 1240px) 100vw, 1240px" /></div>
<p>11ima ancora di entrare in sala, il Disclosure Day era già accaduto. La visione dell&#8217;ultimo film di Steven Spielberg si è trasformata in un evento tangibile grazie a una surreale coincidenza: chi vi scrive si è ritrovato in sala accanto al fondatore della prima fanzine dedicata al cinema fantastico (l&#8217;iconica THX, nata quando si batteva [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/disclosure-day-recensione-spielberg/">Disclosure Day: il dettaglio sul treno che Spielberg aspettava di girare dal 1971</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<title>&#8220;Kill Bill: The Whole Bloody Affair&#8221;, il film che Tarantino non riuscì a far uscire per 20 anni</title>
		<link>https://mediatime.net/kill-bill-the-whole-bloody-affair-recensione-integrale/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Wed, 27 May 2026 09:30:46 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[cinema di genere]]></category>
		<category><![CDATA[kill bill]]></category>
		<category><![CDATA[quentin tarantino]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[the whole bloody affair]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46809</guid>

					<description><![CDATA[<img width="640" height="423" src="https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-1024x677.jpg" class="attachment-large size-large wp-post-image" alt="Uma Thurman nei panni della Sposa in &quot;Kill Bill: The Whole Bloody Affair&quot; di Quentin Tarantino" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-1024x677.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-300x198.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-768x507.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-636x420.jpg 636w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-640x423.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-681x450.jpg 681w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa.jpg 1300w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1300" height="859" src="https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa.jpg" class="attachment-full size-full wp-post-image" alt="Uma Thurman nei panni della Sposa in &quot;Kill Bill: The Whole Bloody Affair&quot; di Quentin Tarantino" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa.jpg 1300w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-300x198.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-1024x677.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-768x507.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-636x420.jpg 636w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-640x423.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/kill-bill-the-whole-bloody-affair-uma-thurman-sposa-681x450.jpg 681w" sizes="auto, (max-width: 1300px) 100vw, 1300px" /></div>
<p>L&#8217;industria hollywoodiana ha sempre avuto i suoi spietati guardiani e le sue logiche di potere. Quando nei primi anni Duemila Kill Bill arrivò nelle sale di tutto il mondo, la Miramax applicò una brutale frammentazione dell&#8217;opera: prese un progetto colossale, concepito come un unico respiro, e lo spezzò in due volumi distribuiti a sei mesi [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/kill-bill-the-whole-bloody-affair-recensione-integrale/">&#8220;Kill Bill: The Whole Bloody Affair&#8221;, il film che Tarantino non riuscì a far uscire per 20 anni</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<title>Passenger: perché Øvredal ha scelto i Siouxsie (e non Iggy Pop) per chiudere il film</title>
		<link>https://mediatime.net/passenger-recensione-film-horror-ovredal/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Fri, 22 May 2026 08:13:46 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[andrè øvredal]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[passenger]]></category>
		<category><![CDATA[recensione]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46776</guid>

					<description><![CDATA[<img width="640" height="342" src="https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-1024x547.jpg" class="attachment-large size-large wp-post-image" alt="Lou Llobell e Jacob Scipio esaminano il furgone in una scena di Passenger, il film horror di André Øvredal" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-1024x547.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-300x160.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-768x410.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-786x420.jpg 786w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-640x342.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-681x364.jpg 681w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van.jpg 1230w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1230" height="657" src="https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van.jpg" class="attachment-full size-full wp-post-image" alt="Lou Llobell e Jacob Scipio esaminano il furgone in una scena di Passenger, il film horror di André Øvredal" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van.jpg 1230w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-300x160.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-1024x547.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-768x410.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-786x420.jpg 786w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-640x342.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/passenger-film-2026-lou-llobell-jacob-scipio-van-681x364.jpg 681w" sizes="auto, (max-width: 1230px) 100vw, 1230px" /></div>
<p>L&#8217;arrivo nelle sale di Passenger, la nuova fatica di André Øvredal, solleva immediatamente un quesito per chiunque ami andare oltre la superficie di un&#8217;opera. Perché un regista così attento ai dettagli sceglie di chiudere una pellicola sulla strada con la cover dark dei Siouxsie and the Banshees di The Passenger e non con l&#8217;iconica traccia [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/passenger-recensione-film-horror-ovredal/">Passenger: perché Øvredal ha scelto i Siouxsie (e non Iggy Pop) per chiudere il film</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<title>Amarga Navidad: quando Almodóvar scrive la vita degli altri senza permesso</title>
		<link>https://mediatime.net/amarga-navidad-recensione-almodovar/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Thu, 21 May 2026 07:13:51 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[aitana sanchez gijon]]></category>
		<category><![CDATA[amarga navidad]]></category>
		<category><![CDATA[cannes 2026]]></category>
		<category><![CDATA[pedro almodovar]]></category>
		<category><![CDATA[recensione film]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46759</guid>

					<description><![CDATA[<img width="640" height="409" src="https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-1024x654.jpg" class="attachment-large size-large wp-post-image" alt="Milena Smit nei panni di Natalia in una scena di Amarga Navidad di Pedro Almodóvar" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-1024x654.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-300x191.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-768x490.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-658x420.jpg 658w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-640x408.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-681x435.jpg 681w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar.jpg 1230w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1230" height="785" src="https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar.jpg" class="attachment-full size-full wp-post-image" alt="Milena Smit nei panni di Natalia in una scena di Amarga Navidad di Pedro Almodóvar" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar.jpg 1230w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-300x191.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-1024x654.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-768x490.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-658x420.jpg 658w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-640x408.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/milena-smit-amarga-navidad-almodovar-681x435.jpg 681w" sizes="auto, (max-width: 1230px) 100vw, 1230px" /></div>
<p>Presentato in anteprima mondiale nella cornice del Festival di Cannes 2026, il nuovo lavoro di Pedro Almodóvar arriva in sala accompagnato da un&#8217;aspettativa febbrile. Amarga Navidad si presenta al grande pubblico come un dramma festivo dalle tinte melò, ma il verdetto a caldo dopo la visione impone una riflessione onesta: bene, ma non benissimo. Chi [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/amarga-navidad-recensione-almodovar/">Amarga Navidad: quando Almodóvar scrive la vita degli altri senza permesso</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<title>Star Wars: Grogu è un pupazzo vero, il segreto artigianale che nessuno ti ha spiegato</title>
		<link>https://mediatime.net/star-wars-segreto-artigianale-grogu-film/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Tue, 19 May 2026 15:12:51 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[animatronica]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[grogu]]></category>
		<category><![CDATA[pedro pascal]]></category>
		<category><![CDATA[recensione Star Wars: the mandalorian and grogu]]></category>
		<category><![CDATA[star wars]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46750</guid>

					<description><![CDATA[<img width="640" height="395" src="https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-1024x632.jpg" class="attachment-large size-large wp-post-image" alt="Grogu mangia da un cestino nel film Star Wars The Mandalorian and Grogu (2026)" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-1024x632.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-300x185.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-768x474.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-681x420.jpg 681w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-640x395.jpg 640w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026.jpg 1300w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1300" height="802" src="https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026.jpg" class="attachment-full size-full wp-post-image" alt="Grogu mangia da un cestino nel film Star Wars The Mandalorian and Grogu (2026)" style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026.jpg 1300w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-300x185.jpg 300w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-1024x632.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-768x474.jpg 768w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-681x420.jpg 681w, https://mediatime.net/wp-content/uploads/2026/05/star-wars-grogu-pupazzo-animatronico-mandalorian-film-2026-640x395.jpg 640w" sizes="auto, (max-width: 1300px) 100vw, 1300px" /></div>
<p>Grogu non nasce affatto al computer. Nelle scene in cui Pedro Pascal lo tiene in braccio o gli parla, quello che vedete è un pupazzo fisico. Parliamo di un oggetto reale e costruito interamente a mano. Sotto la sua spessa pelle in silicone nasconde oltre 30 piccoli motori. A muoverlo ci sono cinque persone contemporaneamente. [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/star-wars-segreto-artigianale-grogu-film/">Star Wars: Grogu è un pupazzo vero, il segreto artigianale che nessuno ti ha spiegato</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<item>
		<title>Il diavolo veste Prada 2: perché il sequel sfida Miranda Priestly con il tramonto della carta stampata</title>
		<link>https://mediatime.net/il-diavolo-veste-prada-2-recensione-cast/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Wed, 29 Apr 2026 10:28:20 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[anne hathaway]]></category>
		<category><![CDATA[cinema 2026]]></category>
		<category><![CDATA[il diavolo veste prada 2]]></category>
		<category><![CDATA[meryl streep]]></category>
		<category><![CDATA[moda digitale]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46526</guid>

					<description><![CDATA[<img width="640" height="423" src="https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-1024x677.jpg" class="attachment-large size-large wp-post-image" alt="Anne Hathaway, Meryl Streep e Stanley Tucci camminano insieme in un ufficio con il logo Dior sullo sfondo, in una scena ufficiale del film Il Diavolo Veste Prada 2." decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-1024x677.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-300x198.jpg 300w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-768x508.jpg 768w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-635x420.jpg 635w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-640x423.jpg 640w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-681x450.jpg 681w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior.jpg 1230w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1230" height="813" src="https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior.jpg" class="attachment-full size-full wp-post-image" alt="Anne Hathaway, Meryl Streep e Stanley Tucci camminano insieme in un ufficio con il logo Dior sullo sfondo, in una scena ufficiale del film Il Diavolo Veste Prada 2." style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior.jpg 1230w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-300x198.jpg 300w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-1024x677.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-768x508.jpg 768w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-635x420.jpg 635w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-640x423.jpg 640w, https://mediatime.net/wp-content/uploads/2026/04/il-diavolo-veste-prada-2-streep-hathaway-tucci-dior-681x450.jpg 681w" sizes="auto, (max-width: 1230px) 100vw, 1230px" /></div>
<p>Il 29 aprile 2026 segna il ritorno in sala di un’icona che credevamo cristallizzata nel mito, ma che oggi deve fare i conti con un mondo profondamente mutato. Il diavolo veste Prada 2 approda nei cinema dopo una campagna promozionale imponente, che ha visto la Milano della moda trasformarsi in un set a cielo aperto [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/il-diavolo-veste-prada-2-recensione-cast/">Il diavolo veste Prada 2: perché il sequel sfida Miranda Priestly con il tramonto della carta stampata</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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		<item>
		<title>Il ritorno di Michael: come Jaafar Jackson ha riportato in vita lo zio disinnescando la caricatura</title>
		<link>https://mediatime.net/recensione-film-michael-jaafar-jackson/</link>
		
		<dc:creator><![CDATA[Roberto Leofrigio]]></dc:creator>
		<pubDate>Wed, 22 Apr 2026 06:25:27 +0000</pubDate>
				<category><![CDATA[Spettacolo & Lifestyle]]></category>
		<category><![CDATA[antoine fuqua]]></category>
		<category><![CDATA[biopic]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[graham king]]></category>
		<category><![CDATA[michael jackson]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">https://mediatime.net/?p=46426</guid>

					<description><![CDATA[<img width="640" height="427" src="https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-1024x683.jpg" class="attachment-large size-large wp-post-image" alt="Jaafar Jackson nel film Michael (2026) indossa l&#039;iconica giacca rossa di Beat It durante una scena musicale." decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-1024x683.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-300x200.jpg 300w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-768x512.jpg 768w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-630x420.jpg 630w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-640x427.jpg 640w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-681x454.jpg 681w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione.jpg 1230w" sizes="auto, (max-width: 640px) 100vw, 640px" /><div><img width="1230" height="820" src="https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione.jpg" class="attachment-full size-full wp-post-image" alt="Jaafar Jackson nel film Michael (2026) indossa l&#039;iconica giacca rossa di Beat It durante una scena musicale." style="margin-bottom: 15px;" decoding="async" loading="lazy" srcset="https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione.jpg 1230w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-300x200.jpg 300w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-1024x683.jpg 1024w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-768x512.jpg 768w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-630x420.jpg 630w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-640x427.jpg 640w, https://mediatime.net/wp-content/uploads/2026/04/jaafar-jackson-film-michael-recensione-681x454.jpg 681w" sizes="auto, (max-width: 1230px) 100vw, 1230px" /></div>
<p>In uscita nelle sale italiane il 22 aprile 2026 sotto l&#8217;egida distributiva di Universal Pictures International Italy, Michael si impone come l&#8217;operazione di decodifica definitiva di una delle icone più imperscrutabili del ventesimo secolo. Diretto dal veterano Antoine Fuqua, il film si allontana dal perimetro del mero resoconto biografico per abbracciare la dimensione del mito [&#8230;]</p>
<p>L'articolo <a href="https://mediatime.net/recensione-film-michael-jaafar-jackson/">Il ritorno di Michael: come Jaafar Jackson ha riportato in vita lo zio disinnescando la caricatura</a> proviene da <a href="https://mediatime.net">Mediatime Network</a>.</p>
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